As any regular reading would probably know, I'm no fan of remixes. This is simply because the vast majority of them aren't needed. They tend to just hack up a decent track and stick a fat beat on it, hoping to cash in on the fame of the original. It's a blunt and cynical view, but hey, its all too often true. But that's not to say I'm a total hater. When a remix comes along that enhances the original and brings something new to the table, I'll gladly respect it. Here's a couple that have recently caught my fancy.

MGMT - Electric Feel (Aeroplane Remix)
I came across this version at a party. Everyone was sitting back and relaxing when it came on, perfectly fitting the chilled atmosphere. It's so unassuming, never trying too hard to show off the sample. In fact it's really a song in it's own right. It takes the core elements of Electric Feel, spreads them out, adds a sweet bass line and produces an awesome laid back track.

Shout Out Louds - Impossible (It's Possible Remix by Studio)
While never really getting into the Shout Out Louds, I've always had a soft spot for this song. When I heard this version on the radio, I was impressed with how it brought out the track's strengths. The prominent bass elements help to fuel the natural feeling of excitement, while the added texture and reverb add to the song's warm, rich vibe.

Also, while looking for a copy of the Shout Out Louds remix, I came across this article on a site called BiBaBiDi. It takes a similar line of, "the world is full of terrible remixes, but here's some good ones". For the remix fans out there, it's worth a look.

Considering this blog recently passed the 300,000 visitor milestone (!!!) and we're right in the middle of the Christmas/New Year period, I think it's appropriate to do some indulging. You know those songs that you put on, and love, but only you and friends appreciate them, because only you know the back-stories behind them? Well these are some of my songs. And the back-stories. Cause with all the serious music journalism I've been doing this year, it's about time I had a break.

I present to you a single-listen blog. It's always a special occasion when you hear a song for the first time and instantly feel attached to it. The feeling is one of warmth and satisfaction, but also quiet anticipation of what more could await. It's a feeling that happens far too rarely for me, so I had share it while it lasted. Sadly though, the very nature of a 'single-listen' means I can't offer much in the way of description. However I do remember the chorus having some great vocals. They had power behind them, but at the same time were soft and reserved. Check it out for yourself so I can stop mucking around actually give it another listen.

Last Words


p.s. i can't say i'm the biggest fan of the band name...

It's been well over a year since I've even thought of this band and then all of a sudden, BAM, this song comes on the radio. One round of the chanting opening riff and I was hooked. The slow, haunting vocals took over in the chorus and the Howling Bells memories came flooding back. It's been so long that all I can really remember about their last album is that it was good. With a second album on the way, the band couldn't have found a more perfect lead single than Into The Chaos. My attention is well and truly theirs.

Into The Chaos

After listening to Jay Reatard, I don't think I could have stumbled across a starker contrast than The Motifs. As 'Matador Singles 08' finished, iTunes moved into 'Matches', easily the indiest indie release I've ever bought. You really can't fault it, with a mini CD, cover made of glued-on pieces, hand-drawn insert, individual message, sticker and even a sleeve hold it all. Believe it or not, the music is even cuter. The 6-track EP comes in at just 10 minutes, but offers an abundance lovely melodies. I think I did this exact post when I bought it a year ago, but the rediscovery was too good to let slide.

Tell Me More

As with every festival I go to, it begins with research. Ever since the fateful Big Day Out '04 when I missed The Darkness, Muse, The Flaming Lips, Kings of Leon due to ignorance, I've been sure to get to know the bands BEFOREHAND, so I know who'll be worth seeing. Laneway 2009 has an interesting lineup, which to be honest, didn't strike me at first. But the more I look at it, the more I get excited. It's not so much a selection of bands I do love, but should love. Hence the research. Here's a few of the bands I've listened to recently.

Girl Talk
Jay Reatard
Born Ruffians
The John Steel Signers

Another album which I've been listening to lately is the debut release by Sydney electronic outfit, Seekae. So early in their career, I would hardly have expected them to have an album, let alone one with 18 fully developed tracks. Their music is some sort of dramatic techno, mixing strange electronic clippings with looping keyboard melodies. I'm only just getting into it, but already I'm discovering an incredibly diverse array of sounds. My current favourite, Void, sees them really live up to 'Shoegaze' tag that they use on their myspace. I've always appreciated the way good electronic artists can build emotion without the need for lyrics and Seekae do just that. I'm not quite sure what they're doing in terms of distributing this album (anyone?), but they have a launch on Dec 10th at the Hoey, so I'm sure you'll be able to find out then.

Void

And just as I was writing this, I discovered another favourite (perhaps I should have listened more before writing this!). This one features some truly awesome keyboard sounds coming from every direction. I hope you guys don't mind me posting two tracks.

Halley Wars

The first album was a novelty. The second album is.....also a novelty. But its a damn fun novelty. The insane variety of samples, mashed together so effortlessly, is almost too much for the mind to comprehend. But whilst the last 50 years of music are competing for a cameo, there's wicked beats flowing through every song. I'm looking forward to this live show so much that it will also be my first sideshow for the year.

In Step

I haven't listened to much, but then it doesn't take much to realise that this will be a performance not to miss. Short, fast punk-pop can never fail.

Always Wanting More

I've been pleasantly surprised to discover that this band are more than just one-hit wonders. The rest of their album may not match the brilliance of Hummingbird, but it's got plenty more of their signature slurred vocals, jagged guitars and edgy rhythms. I'm expecting good things when they swing by.

Hummingbird